With our new Denoising Region Editor feature, you can now control exactly where and how to denoise inside a production: Refine our automatically generated denoising boundaries, choose different denoising models per segment, or switch denoising off completely for things like jingles, music beds, or sound effects.
The result: you only clean what really needs cleaning, gain more creative control, and work with much higher precision inside a single production.
Only Denoise the Parts That Need It
Many productions contain a mixture of different situations:
- Music jingles or sound effects combined with noisy speech
- A clean studio introduction followed by a noisy on-location interview
- Speech combined with short news clips, where ambiance and noises should not be removed
- A short section where a fan or laptop noise becomes audible
Region-Based Denoising lets you target specific regions of your production, and leaves the rest of the file untouched. The regions are created automatically by our Dynamic Denoiser, which classifies the noise conditions of your audio and generates initial region boundaries. You can refine these regions manually now - similar to how you adjust cuts in our Cut Editor.
It is also possible to exclude denoising entirely in segments where you don’t want it at all - for example Jingles, music beds, sound design elements, or external audio inserts.
Audio Editing Interface with Output and Input waveforms and editable Denoiser regions
How Regions Work
The new region editor for denoising is an additional layer on top of our Audio Editing Interface:
- You can split existing regions wherever you like.
- You can move region boundaries to match words, pauses, or noisy events more precisely.
- You can create a sequence of smaller regions inside one automatic segment if needed.
The automatically detected regions give you a fast starting point which you can adjust for perfect results.
Denoising Regions in multiple colors - change models or turn denoising on/off per segment
Every region on the Denoiser layer can have its own processing setting.
For each region you can: turn denoising on or off completely
or select which denoising model you want to use - for example our
Speech Isolation,
Static & Music Denoiser,
or
Classic Denoiser.
This keeps the interface simple and consistent.
You only decide where to denoise and which algorithm to use.
How to Use Region-Based Denoising
- Run your production with Noise Reduction
- Open the production result page to see our Audio Editing Interface
- Split or move region boundaries in the Denoiser layer
- Select the desired denoising model for that region, or turn denoising off
- Press Apply Changes or Edit Production to reprocess (reprocessing these edits does not consume additional credits)
Try our new Region-Based Denoising now!
Conclusion
Noise in your recordings changes over time,
so it makes sense that your denoising settings can change as well.
Region-Based Denoising lets you:
- Denoise only the parts that actually need it
- Combine multiple denoising models in a single production
- Fix misclassified or delicate sections without touching everything else
- Work with more precision while keeping the workflow simple
Open a finished production in our Audio Editing Interface,
switch to the Denoiser view,
and start experimenting with regions.
You will quickly hear how much more control you gain over the sound
of your final output.
Region-Based Denoising is a major step in our broader direction: blend powerful automation with precise human refinement. Expect more features following this philosophy to arrive next year.
Feedback
As with all new features, we are very interested in how you use Region-Based Denoising in your workflows. If you have feedback, questions, or suggestions, please Contact Us or send us a message via the production feedback form.