Tag archives: ebu r128

RSS feed of ebu r128

In the classic loudness war, music and radio producers have been trying to create their recordings as loud as possible and loudness normalization was introduced to stop that. Now one can see the start of a new loudness target war, where podcasters set their loudness targets higher and higher, mainly triggered by high target recommendations of platforms like Spotify or Amazon Alexa.
In this article, we will show how to resist the loudness target war and still be compliant with major platforms.

Resist the loudness target war! (Photo by Nayani Teixeira)

What's the problem?

“Two or three ...

At the Subscribe 9 Conference, we presented the first version of our new Audio Inspector:
The Auphonic Audio Inspector is shown on the status page of a finished production and displays details about what our algorithms are changing in audio files.

https://auphonic.com/static/screenshots/inspector-mt-closed.png A screenshot of the Auphonic Audio Inspector on the status page of a finished Multitrack Production.
Please click on the screenshot to see it in full resolution!

It is possible to zoom and scroll within audio waveforms and the Audio Inspector might be used to manually check production result and input files.

In this blog post, we will ...

Have you ever wondered how loud your audio productions should be? So have we, because it's a quite tricky question to answer!

On the one hand, you want to make sure your productions are loud enough. For example, they should still appear at a reasonable level in noisy environments (car, airplane, etc.), and their loudness should be comparable to that of other programs, no matter whether those are produced by yourself or by others.

On the other hand, you certainly don't want to compromise sound quality for sheer loudness. We have discussed in Audio loudness measurement and normalization with ...

Have you ever wondered why commercials sound louder than your favorite TV shows? Or why you have to adjust the playback volume on your television when switching between channels? The answer is that until recently, there was no standard way to measure the perceived loudness of sound recordings. Instead, audio productions were (and still are) normalized to peak levels, which do in no way determine how loud a signal is.

In this article we will discuss the EBU recommendation R128, a new and open standard for balancing audio programs according to their actually perceived loudness.

EBU R128 logo

This recommendation marks ...