Written by , on in Audio.
If listeners find themselves using the volume up and down buttons a lot,
level differences within your podcast or audio file are too big.
In this article, we are discussing why audio
dynamic range processing
(or leveling) is more important than
loudness normalization,
why it depends on factors like the listening environment and the individual ...
Written by , on in Audio.
In the classic loudness war, music and radio producers have been trying to create their recordings as loud as possible and loudness normalization was introduced to stop that. Now one can see the start of a new loudness target war, where podcasters set their loudness targets higher and higher, mainly triggered by high target recommendations ...
Written by on in Audio, Development, News.
Last weekend, at the Subscribe10 conference, we released Advanced Audio Algorithm Parameters for Multitrack Productions:
We launched our advanced audio algorithm parameters for Singletrack Productions last year. Now these settings (and more) are available for Multitrack Algorithms as well, which gives you detailed control for each track of your production.
The following new parameters are ...Written by on in Development, News.
Until recently,
Amazon Transcribe
supported speech recognition in English and Spanish only.
Now they included French, Italian and Portuguese as well - and a few other languages (including
German)
are in private beta.
Update March 2019:
Now Amazon Transcribe supports German and Korean as well.
The Auphonic Audio Inspector on the status page
of a finished ...
Written by on in Audio, Development.
In late August, we launched the private beta program of our advanced audio algorithm parameters. After feedback by our users and many new experiments, we are proud to release a complete rework of the Adaptive Leveler parameters:
In the previous version, we based our Adaptive Leveler parameters on the Loudness Range descriptor (LRA), which is ...
Written by on in Development, News.
Large file uploads in a web browser are problematic, even in 2018. If working with a poor network connection, uploads can fail and have to be retried from the start.
At Auphonic, our users have to upload large audio and video files, or multiple media files when creating a multitrack production. To minimize any potential ...
Lots of users have asked us about more customization and control over the sound of our audio algorithms in the past, so today, we have introduced some advanced algorithm parameters for our singletrack version in a private beta program!
The following new parameters are available:
Back in late 2016, we introduced Speech Recognition at Auphonic. This allows our users to create transcripts of their recordings, and more usefully, this means
podcasts become searchable.
Now we integrated two more speech recognition engines:
Amazon Transcribe and Speechmatics.
Whilst integrating these services, we also took the opportunity to develop a complete new Transcription ...
Written by on in News.
The new General Data Protection Regulation (GDPR) of the European Union will be implemented on May 25th, 2018. We used this opportunity to rework many of our internal data processing structures, removed unnecessary trackers and apply this strict and transparent regulation also to all our customers worldwide.
Image from pixapay.com.
At Auphonic we store ...
The new Auphonic Audio Post Production Add-ons for Adobe allows you to use the Auphonic Web Service directly within Adobe Audition and Adobe Premiere (Mac and Windows):
Audition Multitrack Editor with the Auphonic Audio Post Production Add-on.
The Auphonic Add-on can be embedded directly inside the Adobe user interface.
It is possible to export tracks ...